ESOW’S WONDERLAND ｜Joint Exhibition

I don’t think art is propaganda; it should be something that liberates the soul, provokes the imagi- nation and encourages people to go further. - Keith Haring (May 4, 1958 - February 16, 1990 American Neo-Pop artist, active in the 1980s) The tapestry of graffiti's origins weaves through the annals of time, from the ancient echoes of prehistoric caves adorned with enigmatic brushstrokes to the post-war era, where it emerged as a testament to individual expression. It has adorned urban landscapes and transit vessels across bustling metropolises. This vibrant art form continued to evolve, entwining with the fabric of the early 20th century to birth an underground culture that thrived particularly in the heart of New York City. From humble beginnings, what started as mere strokes has blossomed into a kaleidoscope of expressions. This includes bold block letters, intricate patterns, whimsical characters, and ethereal abstractions. Each stroke serves as a testament to the boundless individuality and untamed imagi- nation of the artists who wield their brushes upon the canvas of creation. Graffiti transcends mere artistry. It becomes a vessel through which thoughts and emotions flow, mirroring both the ebb and flow of time and the artists' profound perceptions of the world, society, and the complex tapestry of existence that envelops them. Born in Tokyo in 1972, ESOW discovered graffiti at the age of 17 when he moved to the U.S. Immersed in the ethereal aura of the Edo period's cultural legacy, he nurtured his artistic essence and developed a style that exists in the realm of the extraordinary. With strokes of ingenuity and hues of innovation, he has painted a visual symphony, whispering secrets that only the discerning eye can decipher. His masterpieces unveil myriad facets of enchanting Japanese culture, conveyed through a kaleido- scope of vivid mediums. These works dance not only upon the canvas but also extend to murals, timber panels, and even transcend into the realm of three-dimensional wonder. Amidst the vibrant history of graffiti, ESOW offers a glimpse of ethereal grace nestled within its rugged embrace. The Varicolored World encapsulates the essence of humanity at large. It can signify prosperity and exaggeration, or represent the unique dreams and fantasies that dwell within each of us. In the exhibition ESOW'S WONDERLAND, the artist ESOW offers a candid lens into the life of a middle-aged Japanese man, presenting it with humor and whimsy. The exhibition showcases ESOW's creative origins through a diverse array of mediums, including canvas, woodblock prints, and three-dimensional works. The goal of this exhibition is to inspire viewers to embrace more colorful and humorous imaginations in their everyday lives. Join us for a journey into the realm of ESOW's creativity.

First Bloom｜Joint Exhibition

The first heart blooms. In the realm of pure beauty, where frost cannot hinder its eternal bloom, lies a pathway for souls to embrace the essence of continuity and rebirth. Art grants us a pathway to unconventional blossoming. As we gaze upon the fleeting or enduring moments within the passages of our existence, we bestow fresh lenses upon those imprints, permitting the fragmented perceptions to converge into a resounding or enduring echo. This ethereal exhibition beckons viewers to immerse themselves in a profound spiritual realm, where the pristine melodies of six esteemed artists - Dong-Long Wu, Chen-You Hung, Meng-Yu Wen, Shao-Yu Lu (Lupa), Liang-Yin Wang, and Yi-Fang Wang - resonate. These seasoned creators, who have diligently nurtured the artistic landscape, extend an invitation to revisit the genesis of their initial musings. The ephemeral imprints of existence and sentiment, woven through the tapestry of human traversal, coalesce into a fluid tapestry of mundane existence. Whether one casts their essence upon the canvas or entrusts art with their impressions, these traces meld into a harmonious symphony of daily existence. In the realm of artistic expression, individuals effortlessly merge their essence with the canvas, or perhaps encapsulate their impressions within the sacred realm of artistry. These creators, with utmost sincerity, navigate the delicate and enigmatic realms of their being, ever attuned to the depths of their sensitivities. In this transcendent gathering of spiritual perception, TARTCH gracefully harnesses this enchanting motif to lead the audience towards the profound essence and untainted brilliance of the artists in their nascent creative endeavors. The bloom, a fleeting or everlasting metamorphosis, persists in its unwavering devotion to meticulousness. It exists outside the constraints of time, breathing life into all it touches. Death and life, scenes and symbols, surrender to its enchanting allure, becoming vessels for its resounding voice. With each stroke of creation, it weaves aesthetic connotations, unraveling the enigmatic and infusing them with the essence of its own soul. Emotions, pure and unyielding, guide its interpretation of the incomprehensible, revealing truths hidden deep within. This dreamlike exhibition calls out the viewer to embark on a journey, guiding them towards the enchanting realm of macrophotographs. Within these captivating frames, one can discover the radiant glow that emanates from the depths of their very own heart.

The Light Catchers｜Joint Exhibition

As summerʼs heat blazes on and the world is awash in vivid hues, a veritable banquet of light commences, marking the arrival of a new season. Amidst the searing rays, all things seem to stand alone, yet as the sweltering air swirls and melts, they coalesce into a mesmerizing spec- tacle for the eyes. The “Light Catcher” exhibition features the works of two talented artists, Zeng Lin-Yuan and Pan Chi-Fang. Through their unique use of various media and techniques, they aim to capture the essence of objects illuminated by light and evoke memories of their radiance. By immersing oneself in their art, viewers can embark on a journey through the luminous world created by these two artists. Zeng Lin-Yuan has a unique talent for capturing ephemeral moments through a photographic lens. With a keen eye for detail, she deftly observes the subtle shifts in her surroundings. The scenery of her daily life is not merely fleeting, but rather a vivid landscape that resonates with the beat of her heart. The items that she desires to depict in her photographs are often pre- sented in a state of being, or in the process of fading away. These objects are captured, pro- jected, and linked through the subtle hints within the image. Zeng Lin-Yuanʼs artwork in the summer exhibition exudes a vibrant color palette that perfectly captures the essence of the season. In her work, she captures the fleeting movements of the world with a microscopic lens. Through the layering and siltation of brush strokes, she creates a stunning interplay of light and shadow. The color blocks are carefully stacked to form exquisite folds and intervals. The result is a delicate and beautiful composition that celebrates the transience of life. “ Shades and Shadows 29 - The Four Seasons in Captivity” is a breathtaking masterpiece that boasts an impressive panorama. The artist has skillfully layered colors and brush strokes to produce a stunning new atmosphere that is both captivating and enchanting. Zeng Lin-Yuanʼs paintings evoke a sense of microscopic perspective that is consistent with her other works. The visual relay that emanates from this piece is reminiscent of the lingering impressions that we carry in our eyes. The momentum of light that flickers and fades is a reminder of the fleeting nature of each moment, linking our memories back to the present. Through her art, Zeng Lin-Yuan awakens our imagination, encouraging us to pay closer attention to the every- day landscapes that we often overlook. Pan Chi-Fangʼs paintings are imbued with a subtle yet captivating quality. The lines within them seem to suggest the graceful movement of individuals, their bodies and gazes enrap- tured by the beauty that surrounds them. The intricate interplay of brushstrokes and hues in his artwork captures the luminous interplay of light on the natural landscape. Moreover, the composition of his paintings evokes the expansive scope of a cartographic map. The masterful strokes of the artistʼs brush guide our gaze through a mesmerizing journey. We are drawn into the undulating contours of the earth, the cloudburst rapids of cascading petals, and the deli- cate allure of nameless flora. As we step back and observe the proceedings from a distance, a sense of “landscape” gradually takes shape within us. Despite the artistʼs lack of intention to create or depart from a tangible landscape, we find ourselves tracing his footsteps and revisit- ing the terrain. The upcoming exhibition will unveil a rare glimpse into the artistic process of Pan Chi-Fang, as the artistʼs manuscripts of his paintings will be publicly displayed for the very first time. Through these impromptu yet meticulously crafted manuscripts, one can discern the artistʼs keen perception of the natural world and his recollection of the surround- ing terrain. This imbues his works with a palpable “sense of time in the present,” a quality that distinguishes them from his complete oeuvre. Moreover, by deftly capturing his observa- tions through sketching, Pan Chi-Fang is able to bring the luminosity of the outdoors into his studio, thereby reflecting the very essence of light in his art. In this exhibition, the two artists embark on a journey through the ever-changing patterns and impressions of the surrounding scenery. Their aim is to capture the present moment, amidst fleeting light and shadow. Through their work, they not only condense the landscape within their own minds, but also synthesize a sense of déjà vu within the viewerʼs conscious- ness. This synthesis reverberates with the intense light and color of summer, slowly rising with the air flow and resonating within the hearts of all who encounter it.