朱夫誠

朱夫誠在1992年出生於台北，2014年從國立台北教育大學藝術與造型設計學士畢業，並在2019年就讀東京藝術大學，版畫專攻，碩士畢業後，目前仍研讀博士在籍，在大學求學期間時進行攝影創作，短暫在基隆有點子版畫工坊與加拿大的三河市學習過版畫創作。擅長以攝影捕捉建築的光影與視覺的解構重塑，翻轉成水性木版畫。
視覺遍及之處都是一種對觀看的框架。阿爾貝蒂在繪畫論當中把繪畫比喻成窗戶後，在各種框架下，儼然誕生出海量的另一側世界。 而窗戶這樣的介質作為物質世界與精神世界的橋樑，對朱夫誠來說是絕佳探究「觀看」的方式。他從攝影出發去取材想要捕捉的主體，並從日式的水性木版畫的方式堆疊出趨近於現實的景色，以此來探究視覺觀看的框架。

Born in Taipei in 2014, he taught himself photography while studying at the National Taipei University of Education. He also studied printmaking briefly in the IDEAS print studio in Keelung, Taiwan and Trois-Rivières, Canada, and is cur-rently studying for his PhD in printmaking at the Tokyo University of the Arts. He specializes in capturing the light and shadow of architecture through photography and visual deconstruction and reconstruction, and transforming them into  water-based woodblock prints. The visual field is a frame for seeing, and according to the painting theory of Alberti, painting is paralleled with windows. Drawing on the analogy of painting as a window, Chu uses his work as a conduit to open a gateway between the material and spiritual realms, an excellent way to explore "seeing". And by layering vivid and realistic imagery sourced from photography, he creates scenes that are remi-niscent of traditional Japanese water-based woodblock prints; using framing and composition, Chu invites the viewer to reconsider and delve deeper into the very nature of visual perception and explore the myriad of other worlds that emerge from this framework.

得獎經歷：
2020
・米山扶輪社獎學金
・中華民國第19屆版畫雙年展，入選
2019
・國展 獎勵賞
・板院展 牛頓賞2019 Metro財團賞 ・三菱慈善藝術拍賣
・fei art print award 大賞
・大學版畫展 受賞
2017-2019
・神山財團獎學生